Alle items met de tag “Preservering”
The main focus is the intellectual nature of curatorship and its principal manifestations in the audiovisual world. Among the reference points for the views outlined below are: the FIAF Code of Ethics, the UNESCO Recommendation on the preservation of moving images (1985), the General Guidelines of UNESCO’s ‘Memory of the World’ project, the codes of ethics and definitions of organisations such as FIAF, IFLA, ICA, ICOM, the Code of Ethics of the …
Archivists who work with audiovisual records often find themselves confronting a challenge their counterparts who deal with traditional paper records do not have. They must often act as “bucket brigades”—chasing one “fire” after another as rapidly changing technology threatens to render the media formats storing audiovisual records obsolete and inaccessible. What these archivists face is the daunting task of preserving—and …
EAI’s Online Resource Guide for Exhibiting, Collecting & Preserving Media Art addresses key issues and brings together information on current practices and critical dialogue relating to single-channel video, computer-based art and media installation. The Preservation section was created by IMAP (Independent Media Arts Preservation), a nonprofit resource for preserving electronic media. The Guide features a range of essential information: Best …
The analog-to-digital (A/D) converter lies at the heart of the encoding side of a digital audio system, and is perhaps the most critical component in the entire signal chain. The A/D converter must discretely sample the analog signal, quantify the amplitude of the sample, and represent the measurement as a binary word. Whereas conversions made with the A/D converter’s counterpart—the …
This chapter from the Digital Curation Manual, File Formats, begins with a conceptual framework for format and then goes on to discuss different aspects of format description, validation and characterization. It explains how format relates to the long term curation and usability of digital data and includes overviews of related projects and developments in the field as well as describing …
Overview of the main components of creating and managing digital collections. Provides a framework for identification, organisation and application of (existing) knowledge. The document is intended for two types of readers: cultural heritage organizations that start projects for the creation of digital collections and funding organisations wanting to support the development of sustainable digital archives. The principles for assessing …
