Alle items met de tag “Preservering”
Contents: Executive Summary 1 Introduction 2 Concepts 2.1 Sustainability 2.2 Constants, and predictable changes in archive costs 2.3 Time, Risks and Dependencies 2.4 Tradeoffs between Cost, Quality, and Risk 2.5 Activity Models, Lifecycle Costing, and OAIS 3 Making Estimates 3.1 Guidance from PrestoSpace 3.2 Guidance from Other PrestoPRIME Deliverables 4 Detailed Cost Models 4.1 Life Project 4.2 Keeping Research Data …
Contents: Scope Executive summary 1. Introduction 2. ‘The cost of compromise’ 3. Overview of the tools 4. Walkthrough of the long-term storage planning tool 5. Walkthrough of the interactive storage simulation tool 6. Parameters: What do they mean, where do they come from 7. Assumptions and simplifications 8. Implementation of the models 9. Conclusion and future developments This report describes …
Archipel is a project based on the finding that a sustainable digital archive infrastructure is needed in Flanders in order to ensure a structural approach to the problem of digital archiving. The project is also based on the fact that there is an important role for players from the world of arts, cultural and scientific heritage and education in the …
This is the presentation given by Peter Kaufman (Intelligent Television) as the Opening Keynote of Screening the Future 2011. Over the past decade, television and film archivists, working with government funds, philanthropic support,and private partners, have been adding moving images and recorded sound to the searchable corpus of human knowledge online. That corpus now embraces billions of words, images, moving …
Film archives around the world have developed expertise in preserving film: many plan for their collections to last for 400 years, stored in carefully-controlled conditions. The old problems of inflammable nitrate film, of shrinking and decomposing acetate film, of fading colour dyes, are all understood and controlled. But how will we screen these prints in the future? And when will …
Audiovisual preservation is best described as the totality of the steps necessary to ensure the permanent accessibility – forever – of an audiovisual document with the maximum integrity (CCAAA definition). To ensure permanent accessibility, maintenance is necessary. The reason for using the word maintenance is rhetorical: to promote the idea that preservation activity must be performed, funded, and included …
