Comprehensive guidelines for broadcasters on the handling and storage of film material. Reuse in television production is discussed as well. The telecine transfer process is described in detail. Working with threatened and damaged material in the production context is also discussed, and specific advice for monitoring, conservation and preservation of film material is given. Special attention is given to …
folkstreams.net
Contents: Browse About Rights FolksBlog Press Center Educators Portal Generations Portal Video Aids to Film Preservation Guide to Best Practices in Film Digitization Contact Tom Davenport is de initiatiefnemer voor dit nationale archief van documentaire films, vooral moeilijk vindbare films, over Amerikaanse folk. Vanaf 1960 hebben onafhankelijk filmmakers het leven in beeld gebracht van de Amerikanen die deze traditionele muziek …
Preservation and Reuse of Film Material for Television, first edition
Contents: 1. Introduction 2. The nature of motion picture film   3. Film image degradation   4. Film base degradation   5. Film — physical properties and physical distortions 6. Effects of storage conditions 7. Handling and inspection routines   8. Recommendations for the storage of film   9. Film preservation 10. Film restoration and treatment 11. Converting motion picture …
BBC Motion Gallery
Contents: BBC Motion Gallery Collections Thought Equity Motion Collections Rights Managed Royalty Free Editorial Showreels Services Dit is de footage website van de BBC waar gebruikers videomateriaal kunnen opzoeken, delen of bestellen. Het materiaal is niet alleen afkomstig uit de BBC archieven, maar ook uit o.a. de collecties van CBS News, NHK (publieke omroep van Japan), CCTV (China Television), ABC …
What’s on HDTV- 2K,4K, who do we appreciate?
The “What’s on HDtv?” blog is about video (and, occasionally, audio) in the HDTV age. This article is about 2K vs. 4K resolutions and which to choose.
Dirt detection for archive film restoration using an adaptive spatio-temporal approach
In this paper, an adaptive spatio-temporal approach for the detection of dirt in archive film sequences is proposed. By combining useful features from conventional stand-alone spatial and temporal approaches this method achieves better performance in terms of both correct dirt detection rate and false alarm rate.